The difference between animated tones in the traditional sense and those in the gothic style (Tim Burton).
Tim Burton’s films are my favourite of the Gothic genre.The difference between animated tones in the traditional sense and those in the gothic style is the main direction I will analyse.
People’s brain waves respond to red as alertness and to blue as relaxation. to blue and relaxation. Color is largely influenced by psychological factors The influence of color is largely influenced by psychological factors, resulting in psychological color vision. People see different People will have different associations when they see different colors. I will be using Tim Burton’s film “Corpse Bride” and “Frankenweenie” for a tonal analysis.There are also children’s animations in the traditional sense.
Keywords: Color Tones，Gothic style， Animated films, Dark Fairy Tale
Example analysis for traditional animation and gothic animation
Tonal analysis on “Corpse Bride”:
Director Tim Burton’s stop-motion animation, The Corpse Bride, is
is in a darker tone, with a dark blue dark tones are the dominant tone of the film, which is also a formal expression of Tim Burton’s Tim Burton’s style in a formal sense. This darker tone creates a mysterious, macabre atmosphere for the film to create a mysterious, macabre atmosphere.
The film’s use of tone contrasts with traditional films, The film’s use of colour tones contrasts with traditional films, and is intended to be ironic. In the film, the world of the living is The world of the living is a cold colour palette of very low purity, a metaphor for the indifference of the human world. The world of the living is a cold colour palette, a metaphor for the coldness of the human world. The underground world of the zombies, on the other hand, is a colourful and cheerful The world of the zombies is colourful and cheerful, a metaphor for the harmony and love between them, full of It is full of “human feelings”. When the zombies come to earth, people feel the green hue of the film. But when people feel the But when people feel the emotions of the zombies, the colour tone returns to colour.
Keywords：Colour, Gothic style, Film.
Traditional children’s animation：
In the animated film “Flying House”, there is a group of character’s emotional portrayal. As a young man Carl, newlywed and in high spirits, and his wife are living a happy He and his wife are living a happy and sweet life and looking forward to a happy and beautiful future. The bright colors and high luminosity in the picture reflect Karl’s happy mood at this time.
The bright colors and high brightness in the picture reflect Carl’s happy mood at this time. With the passage of time, Carl has become an empty nester in his twilight years. Carl has become an empty nester, his partner has lost his life, and he is left alone in this house.
The dark colors further emphasize the fact that the character is in his old age, and also reflect the character’s depression. The two sets of images are similar in composition, but the colors are different,
The two sets of images are similar in composition, but the colors are different, and the mood of the characters is also different.
Keywords：Color，Traditional animation.
The Gothic style of film is hyper-realistic in that it is more real than reality, which is meant to provide a greater contrast to the fantasy world. In turn, Tim Burton’s story and themes can support such expressive designs, with the scenic staging of his films taking into account the characters’ surroundings and overall story values.
In Tim Burton’s visual imagination, which often blends an atmosphere of Gothic architecture with sunny, sunny countryside, two worlds that should be completely and utterly at odds, an old castle full of gloomy desolation and claustrophobia and a country cottage full of bright warmth and colour, he merges these two worlds that fall so far apart. This stark contrast appears in almost all his films.
The benefit of this gothic style of cinema may be that it brings a more visual experience that immediately catches the eye. His films are extremely personal and so out of step with mainstream aesthetics that it is immediately obvious that it is his film. On the flip side, there are no bright, warm colours like traditional animation that bring children some inspiration and fantasy. It is probably an animated film that is not suitable for children.
Reference
Bottomore, S., 2013. Moving color: early film, mass culture, modernism. [online] researchgate. Available at: <https://www.researchgate.net/publication/270788685_Moving_color_early_film_mass_culture_modernism> [Accessed 28 November 2021].
Watkins, E., 2013. Color and the Moving Image: Theory,Aesthetics,Archive. [online] researchgate.net. Available at: <https://www.researchgate.net/publication/304792193_Color_and_the_Moving_Image_History_Theory_Aesthetics_Archive> [Accessed 28 November 2021].
Herrmann, H. and Bucksch, H., 2014. colour tone(Brit.). [online] researchgate.net. Available at: <https://www.researchgate.net/publication/314843851_colour_tone_Brit> [Accessed 28 November 2021].
Reference Movies：
Corpse Bride
Flying House